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Tuesday, April 10, 2018

White work wedding trip

My studio work is fairly scattered at the moment - progressing lots of things things in small steps. I seem to have mostly white things on my work tables at the moment.

The edges, the fragments, the fraying, the fringes...



I am working on Mo's pennant and the words "i dream of a world where love is the answer"; hand stitching my heartbeat script onto a segment of the old wedding dress...


And also editioning the posters for the conference. Here I am embossing our decklededge press mark onto the bottom of each piece.



And here I am writing the edition number and title on each piece. One down, 29 to go (plus some APs). Thanks to Barry for the photographs.


We have also just spent a long weekend in Townsville in far north Queensland for a family wedding. We were lucky enough to also see some lovely art out about and around the place and I really liked these ceramics - part of the Perc Tucker Regional Gallery collection.

Cecily Willis, Flame, 2015
Mollie Bosworth, Tracing Time, 2005
Gwynn Hanssen Pigott, Still life with flared bowls, 1995
I think that final composition is sublime - so restful, peaceful and overflowing with contentment...

4 comments:

  1. love seeing this peek of your pennant and the work in that last photograph is indeed sublime!

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    1. Yes Mo - I am progressing the pennant! I just loved that composition of vessels - made my heart slow right down...

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  2. I have always been a sucker for white on white, so there is a lot to love in this post.... your blind embossed logo, the exquisite ceramic grouping with its shades and shadows, and the textural stitching in your pennant letters...really compelling!

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    1. Ahh white on white is so beautiful I think - always good to have kindred spirits! Quite a mix here; I really love the embossed logo, and I am enjoying the stitching...

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