I mentioned this wee book recently and its role in my book exchange with Annwyn Dean (annwyndean.co.uk) and now it's time to tell its story here.
Because we had committed to sending our books to each other in the first week of January, I knew I would have to work on it in Scotland.
Supplies and other such things such as space are scarce in the cottage so I added the additional challenge of working with limited materials to my quest.
I had Annwyn's papers with me but I was terribly unsure of my direction. Until one of those awake in the middle of the night realisations and I was fine to go, with a few steps forwards, back and sideways along the way.
I started pottering here. And by the time I left had pretty much completed my pages.
Working with what paper I had on hand - an A4 pad of Fabriano Unica 250gsm - each A4 page was trimmed down to create 16 pages. Each page is pretty small in the end - 7.5cm (w) x 5.3cm (h)
I went with my weak inky water, brushed on and then daubed away with tissue in places. I thought this created a misty, hazy feel in line with my own sense of fogginess and not being able to see the way forward; commit to the future or be confident about any commitments.
One of my thoughts was that the way markers had disappeared, so I introduced the embossing (very me) in the form of a fence line which we could see out of our back bedroom window at the cottage. They were there, but not straight, and rather meander-y, and you coudl kind of sort of see them in the right light.
I had taken Letraset with me as I thought it would be the simplest way of achieving lettering, it was light and did not take-up too much space in my bag. Also it wouldn't leak!
So I selected pages with similar way marker alignments, and started to do two of each phrase. One for me and one for Annwyn.
My work space, work in progress.