Showing posts with label Local Poets. Show all posts
Showing posts with label Local Poets. Show all posts

Sunday, January 22, 2017

Letterpress Commission

For the last little while I have been working on a beautiful letterpress commission - a poem in association with a new Poetry Prize.


The Poetry Prize is in honour of young Maleny poet Sophia Nugent-Siegal, who died in 2014 aged 22.

The work I have done is to select one of Sophie's many poems, and produce it in an edition of 22. The poem is presented on a thick 300gsm Gmund Cotton Linen paper, contained within a presentation folder.


Sophie had liked the spareness of my work and her mother entrusted me with the artistic license to create work that I felt was in keeping with Sophie's work and ethos.  I had previously rendered some poetry for her mother in calligraphy; and felt I wanted to include some in the final work; but was not sure that I could do it effectively 22 times.

So I turned to a photopolymer plate. I wrote out the poem title, vectorised it, sent it to Melbourne where they prepared the plate. I then found a local cabinet maker to cut some timber into a small block, type high and I was able to include it in the block for printing.


The presentation folder is made from Mohawk Superfine 270gsm and I used another photopolymer plate image on the cover - the poem references a blue sky smashed into novas.

The cover indicates the poem title, the poet's name and that it is part of deckled edge press editions (in fact the first).


I mixed the ink to a soft blue - the poem suggests Sophie's bluest of blue eyes - and the main text was printed in a soft grey - I couldn't do black. It meant I had to do two print runs on each page - the blue one and the grey one, so registration became a bit of a focus.



Cover detail.


Attribution detail on poem insert.


Poem within the folder.


The poem.


It has been an enormous honour to produce this work; as well as a great challenge to improve my craft  and to produce something of worth and value the will last through the ages.

More of the story can be found here, on the website and blog for Sophia.

Sunday, December 18, 2016

Poetry commission underway

I have the privilege of working on a beautiful letterpress poetry commission at the moment. It involves poetry and I plan to do a single page of poetry, with two colours, and a cover.

Whilst I had set aside Saturday and Sunday of printing, I was lucky that there wasn't too much booked in for Friday as well, as I took several hours on Friday to start setting the type.

 This is the first large piece of work I have done really - and I discovered so many thing I need! I need a lot, a lot, of spacers. They are the metal bits you put between words and then some larger bits that fill out your lines so that you have a nice rectangular block to lock up. I need these spacers in each size of type I am using – in this case 18pt and 12pt.  As well as in 24 pt for between the verses and 36 pt for between some of the lines.

 I also need lots of lead line spaces as well - and luckily I had bough a box of them one time not really knowing why, and also a lead cutter so I could cut them to size! So Friday was a very long day of trying not to panic in case I didn't actually have enough of the things I needed in order to fulfill the order.

 It also feels different because the words and work are precious and special; and because I am getting paid for it as well. Extra reasons to try and get it so right.

Here, as I begin, you can see how many spacers I needed to fill out the lines - I used to think it was all about having enough type!


I had a moment when I realised the polymer plate of my calligraphy, to be used for the title, was actually much wider than the body of the poem. It seems you can't remember everything when you're learning. It worked out OK tho.


Beginning setting the type for the cover



And so to proofing!  I LOVE proofing. It shows you where the ink is going as well as all the mistakes you have made and gives you chance to fix things before printing for real. Here are some fun mistakes along the way.  The actual polymer plate, not just the lettering, was picking up ink - eek.


Nothing like an upside down letter or two. Or a mischosen letter or two!




Right at the end of the longest line of type, one word wasn't picking up as much ink. It  may have been the rollers were slightly imbalanced or the plate had moved a bit, but the easiest solution was to build the word up a bit from behind with some double-sided tape. Worked a treat.


The end of Day 1 printing using the stairs as drying rack. And why not I say.


And then because I hate to waste ink and there was a lovely grey still there on the plate...

I didn't even unwrap the type that I keep tied up. I didn't set it in the Adana or the Lightning Jobber. I just placed it onto the bed of the proofing press, rolled it with a roller, popped the cards on top and printed.

Very rudimentary and not particularly precise, but it did the job in the 15 minutes I had. I soooooo didn't want to have to clean up another plate and set of rollers just to play with these cards, so this was a good solution!



Next steps - printing the second colour and the cover...

Tuesday, March 6, 2012

Artemis re-made

A few years ago I worked with local poet Robyn Nugent on some books about the moon.  Robyn writes stunning poetry - personal, insightful, observant and at time astringent, but always true and beautiful.

I gave her the wee book I made of her poem Artemis, but recently I thought I'd like to re-make it.

Lucky for me I had kept a page of notes, and I even knew where to find it!


I also found some photographs and a trial run of the embossed cover I made.


Then the process that is well known to calligraphers world-wide - drawing up the lines - began. I know some folk use light boxes for this, others use pin pricks, other score lines lightly. It all depends on the work you are doing and a bit of a preference I guess. But I sat there measuring and marking lines.


And I really enjoyed it. I played with weight variations of Foundational hand, and some spacing for emphasis here and there.


I soaked some paper, blotted it and then ran the embossing through the press.


I stitched it with a crochet cotton thread and about six strands of another sparkly thread.


And now I have my very own Artemis!

Wednesday, December 30, 2009

2009 favourites

I know that lists are ubiquitous this time of year - but if you're like me and love a list; then that's a fine thing! It has been a creative and successful year for me in many ways - so many opportunities to make things; lots of experimenting; lots of finding out what I really love and occasionally what sells.

I have enjoyed putting together my 10 favourite pieces (of my own work) for the year as I looked back through photos and remembered how they looked and how they made me feel. Most of them have gone to other homes so its nice to reflect on them, even if I can't see them again.

I smiled when I looked at the final selections - white on white as ever; simplicity; peace and gentleness; nearly all books; and most with words that matter to me.

This list is in alphabetical order only as I seriously couldn't play favourites!

1. Artemis - poem by Robyn Nugent


2. Cloisters of Iona (collaboration with Barry Smith)


3. Echoes of Edinburgh


4. Floral happiness - partial image


5. I come to quiet knowings...


6. Peace in your pocket...



7. Peace is every step


8. Phrases of the Moon - poetry by Robyn Nugent


9. Shine


10. Silences - poetry by Gershon Holtz

Tuesday, December 8, 2009

Book and more books

Barry and I have recently joined ArtsConnect another group of local artists sharing information and promoting their art. I am participating in my first Market with them this weekend and have been busy ripping paper, cutting boards, covering boards, decorating pages and stitching books.

I plan to have a number of my artists books with local poets' works in them; along with a series of blank journals for people to fill with their thoughts, ideas, lists and so on.

Here are a few shots of the production line late last week!

Wednesday, November 4, 2009

Open for business

We finally made it and had a great opening night on Saturday - lots of people and lots of friends joined us as we stepped forward onto the stage. This exhibition was another important marker for us as we build and grow our artistic side. We have both been in group exhibitions before but this time we were saying - OK, here we are, this is who we are and what we do - with nowhere to hide really.

We are both pleased that a number of pieces have sold and that a lot of folk have also said how much they enjoyed the quiet space. We were aiming for the room to be peaceful, still and restful and thanks to Ken's curating it appeared just so!

We were way too busy to take photos on the night - but here are a few of the space without people that we took today.

Monday, October 19, 2009

White Cockatoos

Barry has been talking about "E-Day"also known as Exhibition Day as it looms closer. Whilst we are both well prepared, we have healthy doses of worry as well because we both still have a few pieces to go.

My goal today was to progress a few pieces and finish one, which I did. I have been shellacking some embossing plates and writing a few words here and there as well as pounding and stitching metal - all for a few different books.

I did however get to finish "White Cockatoos" a book of the poem that local poet Robyn wrote for me.

White cockatoos (for Fiona)

Wings deckle-edged
Against waned light
The cockatoos
Wheel eastwards
Their noisy sentence
Single-spaced left to right
A skyful of vowels
Headed towards night’s
Full stop