Finishing

 I managed to finish my last pin through the week.

I oftentimes find that how I see something being worn, isn't always the way that others do; so I felt I should probably make one for myself, so that I could wear it and let people see how it might work. And so it came to pass that I made another pebble pin/brooch.

I don't tend to wear brooches/pins up on my lapels so much. Rather I tend to wear them along my hem line. Like this. Apologies for the background lighting - who knew it would be so sunny! Plus I took the shot using my watch connected to my phone which is a first for me, so I got what I got!

Barry also took a photo of me wearing one of the long thing bar ones - which I think looks best vertically, so I might have to wear one like that too. I am however wearing this one on a lapel type thing on a great winter cardigan.

Enough of the modelling. I also finished off a final pice of calligraphy using the five lovely S words. This one is purple on black, and I now have five pieces that can be popped into frames. I trimmed them all yesterday, signed them and put them in a bag for transporting. Finishing, finishing.

So I think that has brought me to the end of production and making for the Pop Up in Scotland. The job now is to inventory, price and pack. Always so many associated tasks.

Including writing some explanatory notes about my Conversations with Women Friends and the Glimpses book-ets. I sometimes think my work and its purpose can be a bit obtuse or opaque, yet I find people grasp it if I tell them a story about it. Of course, I can't speak to everybody all the time, so I thought maybe a few notes here and there might allow people to pause and read and understand a bit of where I am coming from. Maybe.

And then to inventorying and packing. I put out all the jewellery in my stash and worked out which pieces I would take. I decided on 10 pairs of earrings, 7 pendants and 4 brooches/pins. Fingers are crossed.

Two of these will stay in Maleny

Two pairs of earrings will stay in Maleny.

As you can imagine, our suitcases will be full of arty things! Fortunately we keep most of the clothes we need in Scotland the cottage. We are edging closer...

Conversations with Women Friends cards

I have popped all the cards into their packets/pouches and will see if I get any more made before we head to Scotland; but for now I have enough stock to got with in preparation for the Pop Up in Armadale in late August.

Women Friends are so important in our lives, and  I felt I wanted to honour those relationships somehow - recognise and celebrate them.

I ended up sequencing them - calling them CWWF I, II, II, IV etc all the way up to X.  I thought it would help people choosing, but also I wanted to think my way through sequencing them for a book I might print with them all.

CWWF I is a smily one - simple. We can often say so much with a delivery of chicken soup. Or a friend just delivers it without even talking about it and you know all the love and care that is in it.

Sometimes the conversation is pretty much one where one person does the listening as it's a hard, tough, sad, soul-destroying experience that needs to be shared and heard; not solved. CWWF II.

CWWF III - so often this is my answer to "how did it go?" Whenever I think back over all the topics we touched on - the health, the books, the politics, the friends, the work, the weather... so many things!

This one is powerful, and potent, and didn't need a red thread of conversation between us... CWWF IV

CWWF V - oh my this is cracker! Those moments when a shared experienced is captured in one word and you both just burst out laughing! The stitching line tries to capture that explosive burst somehow.

CWWF VI - this one captures those special friends you have known for decades, where your conversations cover so much territory. Over decades we have seen the ups, the downs and the round abouts...

Sometimes our conversations with friends are texts, chats, messages, emails and oh the bliss of a written letter. CWWF VII

Nothing beats sitting side by side and blethering whilst the road unfurls before you. CWWF VIII

CWWF IX - so true! Somehow time disappears and you take a breath and look around your and realise its been hours...

CWWF X. This one. The special ways of knowing and understanding, of sharing, connecting and checking in... is like no other relationship.

And yes, they still look glorious in a bundle!

Conversations with Women Friends - the choices

I have turned to these conversations because they feel unique, they feel special, and they feel enriching.  They are something I want to make small portable bits art about. The small works will try to celebrate the joy of women friends and the conversations we share.

Whilst I have bene pondering and playing with possible words for a while, I have settled on my ten descriptors/verses around different conversations with women friends. 

This is their first iteration as a set of words. I have thoughts about other ways to share them and use them, but for now I have settled on some business card sized pieces of printmaking paper, with typewriter, vintage Letraset, silk thread hand stitching and tracing paper pouches with machine stitching.

But the journey to this point has been a bit round about!

The first challenge was what sort of pouch to present them in? I tried a few origami fold style ones of different sizes. I tried some rectangular ones made of printed lightweight paper with tape holding the edges down and I tried my usual pocket pouches that I make for pebbles and some of B's jewellery.

Interesting how I came down on the side of what I know, and what I am known for.

And I decided I wanted to try out lightweight tracing paper as the pouch. Luckily I had a pad of 25 sheets I could use to test, but then I had trouble tracking any more of the same stuff down. I found another alternative, after trying some drawing/tracing paper friends had gifted me years ago. In some circumstances it would have been right; but for these, it just looked a little bit dirty, which was a real shame because I have a stash of it still!

I had typed the cards, and cut them all down to size and rubbed out the pencil guide marks and then it was down to determining how best to use the illustrations I had in mind.

I had decided on two circles with a line of running stitches between them, signifying a conversation. But first to the circles. I selected a couple of the letter O from a  few different typefaces we have and quickly stamped them using an ink stamping pad. Of course that ink ran, but I also wasn't too sure that I would get a crisp mark out of them anyway just by hand inking and stamping.

For the sake of testing I also chose to trace a few circles using a circle tool I have. They came out pretty cleanly which was good.

Then Barry asked if I had considered Letraset? And I hadn't, so I popped downstairs to the studio space and collected my bags of Letraset and set to work searching for a variety of Os that could work. Generally speaking they came out well and I thought yes, we have a solution. They aren't always perfect, but I kind of don't mind that they show their age.

And then to deciding which of the conversation lines I might use. Not the solid lines, and not the ones that were underlining but rather the intermittent lines that went between two people. I thought hard about do I choose a single style or ????

And as is often the way with me, the answer was in the ????s and it came about as I read each card and thought "that's a jumping up one" or that's a between two people one" or "that doesn't need a line between them" or "that is a very close one" and the images just happened.

And so here they are in sets of ten. I have made three sets of ten with a few spare. The idea is that they get sold individually because one of them might be just the perfect one for a friend; but that all ten could also be bought together as an art piece/installation.

The red thread harks back to my Women Friends work for The Red Thread exhibition and felt like the right choice. See here and here and here...

The wild dangling threads are just part of me and my making (dating back to A Subversive Stitch I think way back here).

I'll go through the finished cards individually next time I think.

You can see that each card is individual and unique with different typefaces and sizes of the Os, and different placement and numbers of stitches.

 Just like our friends and our conversations. Unique.

International Women's Day

 8 March is International Women's Day - first celebrated in 1911, the Day seeks to celebrate the social, economic, cultural and political achievements of women. It also marks a call to action to accelerate gender equality.

As we sit and watch a world, led mostly by middle-aged or old white men, take us to war in so many places, wreak havoc, and cause death, despair and destruction I wonder to myself - wouldn't women do it better? And I am mostly certainly sure that they would.

But here we are. 

In small ways we do what we can to promote women; to uphold and support women, and to cheer women on. To have their backs, to bolster and boost them and to promote their excellence. Go girls!!!

I make work about women, and I make work about women friends. I hope to do a much larger body of work about women friends mid year; but for today, I am sharing my feminist poster works and postcards.

I have loaded them into the online shop and for the next week, all women's work is 10% off.

A sample of them along with two of my Fragile Gains series.

One of my favourite A4 posters...

This one speaks to me so much of all that is held within the Epstein files - such depravity and abuse of power.

We are so tired of it all - we have had enough.

Women still struggle to be heard when they are talked over or mansplained to.

This should be the starting point in any claim of sexual assault. So awful that so many women have testified to assaults in the Epstein files, and still...no justice for them yet.

We are all so much more than this; and women are worthy of respect, empathy, and understanding even if they aren't your daughter.

A catch cry for women everywhere to keep on protesting, to keep on resisting, to keep on writing and calling their political representatives...

There is only one set of these seven postcards left...

And these fragile eggshells, speak so eloquently of the gains we have made, which we must protect. 

Re-imagining the shop

Once again, my art life is jumping this way and that at the moment. I am trying to stick with the book to be made for the Narratives exhibition; as well as get the second book of Silences printed; and do an unexpected calligraphic commission; and of course update the websites and shops, keeping them stocked and looking nice and friendly. And packing and posting as things get sold.

Oh, and designing and printing some new business cards! I have never had business cards that reflect my jewellery, so these ones now do this; and I have two more designs to consider and get printed then I should be able to include the right card with the right sort of item...

As ever, life is full and varied.

I did want to record and spend a bit time taking stock of the steps for the new shops in a way. The time we spent thinking through what we would and could keep doing after we left the big space was a fascinating time for me. It truly was a time of re-imagining. I had to re-imagine working in such a reduced space; I had to re-imagine what I might teach into the future; we  had to re-imagine how we would sell things if we couldn't display them in our physical shop; and we had to re-imagine what sort of work we continued to make.

It was a time of selection and farewell. Of commitment and release. Of reflecting on the past; but looking to the future. 

One of the jobs with the websites was deciding what categories I would use to put new items in (we deleted our entire inventory - gulp - and started from scratch). In thinking through 'how do the things I make group together', I went looking for through lines.

Previously my shop categories had been pretty descriptive - cards, artists books, posters and so on. Very descriptive of the item - the 'what it is'. What I felt was missing was the 'what it is about bit'. My sense is that people know me for my cards and my artists' books; a relatively frequent refrain when we had the shop space was " Are you the grief card lady???". And yes, indeed, I am. 

But they also know me for my women's work; and my grief work for example.

How best to reflect those sorts of things became a task I dipped into and out of. I would scratch down some thoughts and return to them. I would list things that might cover things;  and would then have to check if some items I wanted to keep making could still find a home. 

So this is where I landed (and may I say the logistics of getting that drop down menu to appear, and then get it in the right order was a Herculean effort for somebody who doesn't do website stuff for a living!).

I ended up with eight categories. Four of which are item categories; four of which are more thematic categories. 

Items: Artists' Books, Jewellery, Cards and Booklets

Thematic: Pebbles, Women, Grief and Pausing.

What I hope I have achieved (and the shops are still not fully stocked, because you know... life) is that when somebody clicks on Grief - they will find Grief cards and booklets (just not yet). If they click on pebbles, they will find jewellery an artists book and some calligraphic pebbles (again, not just yet). With Pausing they will find an artists' book and daily rainbow words... and I think this is where any peace work I do will land as well.

I think this offers options for folk; and also helps me see the interrelatedness of say my jewellery, and my grief is a stone book-ets. And also that I have enjoyed writing on pebbles for decades now... pebbles are a thing for me so I might as well own it!

To support these categories and the shops in general; we have re-imagined the entire shop and display into plastic tubs in a cupboard. What a hoot - so here is the behind the scenes look at our 'shop' these days!

Although I promise we are not selling the pandemic at all - that relates to work-work we did nearly two decades ago which proved rather prescient in 2020...

I expect that as my art continues and grows that I might re-assess these categories or groupings. New loves may appear and require their own name and place. It will evolve.

What started out as a task about "the categories for the shop" became a real investigation of myself as an artist; and a clarifying of what it is I do; what I love; and how I present myself. Fascinating.

2025, the year in review

 I usually use that never-never time between Christmas and New Year to ponder and reflect, to plan and to dream. This year it has not been like that, with all the heft and heaviness of shifting and moving, but I have grabbed some moments to ponder the year of making that was.

I felt like I was an artist almost each and every day last year; but interestingly I didn't make a huge amount of things. What I discovered as I wandered back through the year was that I had done some lovely things; one thing was very involved, intricate and time-consuming; I spent a lot of time in my head writing a conference paper and preparing courses; my making was varied across materials; and that a lot of my art time was thinking about how to move what to where, how to promote and sell art when we don't have a physical shop and generally re-imagining my world as a maker.

As ever, in alphabetical order only and with no ranking of favourites, here are the ten things I made this year that I like the most.

1. Book of Silences

I loved this whole process; the honour of working with the words of friends, and the testing and trialling that came with the challenge of a representing silence... In the end the wee book is a marvellous thing and I cherish it, and its making.

2. Building Narrative

This is a bit of a catch all for me as maker. I included Building Narrative because I enjoyed it and was proud of it. I presented a paper on Building Narrative in Artists' Books at the  BIND25 Conference in NZ; and I presented two one-day workshops on Building Narrative here in Maleny at the studio of my friend Kim Herringe. Both of these things took a lot of work,  a lot of care, a lot of thinking, and both are a creative product (in my mind). Not so much to show and physically hold in your hand - but I am comfortable saying I made them!

3. Silver pebble jewellery.

I continued to make and sell sterling silver pebble jewellery. I did some commissions, I went big, I tried new things. It is a lovely thing to wear jewellery that you have made I must say; and I also love seeing it on others as it shimmers and moves .

4. Nest.

I really enjoy working with Lindsey when we are in Scotland, and this time I asked her if I could try to make a nest. It was such a fun process and I really got into it. The result was a layered, sterling silver nest that could be sculptural, or a pendant. It has inspired me to try and make more.

5. Peace around the world.

We have been making and sharing peace weathergrams for International Day of Peace for many years now. Over a decade at least. This year was no different - the weathergrams are used cutlery holders that my dad and his folk collect for us; and we letterpress print a message of peace on them and make a hole and tie some string. But this year felt different. It felt like there was such a yearning for peace (and care, and kindness) across the globe. And this year, without prompting, folk sent me photos of their weathergrams flying boldy and bravely in oh so many marvellous places. It truly lifted my spirits and gave me hope.

6. Red Card.

I made my first book about Australian women being killed by their partners or former partners over 11 years ago. It is still a crisis in this county and so little has changed. This book is simple. It is loud. It is full of me being so sick and tired of all the talk and still women are murdered with monotonous regularity. I give a Red Card to governments, to the media and to men who kill the women they loved.

7. Resist.

Sometimes your work is significant. Sometimes it addresses national concerns. Sometimes it seeks to encourage gentle and peaceful ways of being. Sometimes it is small, heart felt and simple. Sometimes it is sent as a reminder that people care, and that we all need hope.

I hand stitched these fabric remnants with red french knots, depicting the word resist, and sent it to friends in the US. I used braille as the format language - because nothing is safe with communication and we sometimes need to talk in code. Small. Not much but something, and yet I loved doing them and they are among my favourites of the year.

8. Serviettes.

I did mention sometimes your work is small, but brings great joy, and so it was with these serviettes. The joy I feel is well out of proportion for what they are and what they do, but there you go. I loved exploring the wing needle and hem stitches on my machine and I love that I now have some lovely serviettes to use - and that they look gorgeous!

9. Simply Being.

This book was a long time in the realising. I have played with the words for years and years, finding them in my journal, re-working and re-writing them. Finding them again. And deciding on how to bring them into being - it seemed I had so many options.  And this I hope is the first of a few different ways of making this book. 

10. Square Alphabet.

Again, this isn't exactly a thing you can hold in your hands, but I did enjoy the making of this alphabet so much! It was a recollection of a calligraphic exercise from many moons ago, which clearly has strong connections to the Berber alphabet, and ends up being almost a code I can use to write with.

As ever, thanks for coming along on the wander and for being part of my year - I appreciate each and very person who reads and comments and shares their thoughts. This year's top ten had a lot of variety and I think that reflects that I didn't have a body of work I was pulling together, so instead I got to play in lots of different puddles.

Go well into 2026, and may we all find, and share: love and care; peace and generosity; and hope and kindness along the way.