Tuesday, May 26, 2015

Tidying Type

Barry and I were on the road for a few days last week, and one port of call was the shed of an old printer who has hoarded lead type. It was a really great couple of hours poring over old trays of dusty, dirty type; rusty galley trays and re-conditioned composing sticks. Don't I sound like I know what I'm talking about now! Laugh.

It was really helpful to talk about the different things and items and I bought a few bits and pieces.

One of the weird pleasures on return was to fill my first trays in my set of type drawers.


I washed each and every piece of type, removing dust and grime and grease; dried it and placed it in the California job case as instructed.




There was such a remarkable sense of satisfaction in completing this first tray. You can see the mess left behind! It will be in for a wash and clean and then who knows what.


So, from this really dirty, messy tray I confirmed I had a pretty big set (not complete, but not bad) of Placard 48pt Bold and am so thrilled with how shiny and clean it looks in its new place of residence.



And I have punctuation...


I have another tray to go through (as yet un-titled) and then I pretty much have the type I now own in its rightful place; hopefully ready for use in the near future.

I made the unilateral decision to put a couple of very small, incomplete sets of type into drawers (that aren't configured in the California job case style) according to my own particular arrangement.  Upper and lower case in together; and simply running from A to Z.


I think (hope) this arrangement will work for me.

I got grew pleasure from using my two new 'Typeface recognition manuals" to ascertain just which typefaces these sets were.  I felt like a detective when I finally tracked Parisian Ronde down (noting that it's Q was slightly different to Typo Upright).



And after three attempts, confirming that my other typeface was in fact Falstaff and not Ultra Bodoni or Roman Extra, or ....

Up close and personal with Falstaff before placement in the tray.



And after - in my own peculiar storage approach.


It is clearly a highly addictive pursuit this letterpress world, and I am happily playing along!

Sunday, May 24, 2015

Under Construction progresses

Towards the end of the week and over the weekend, I made myself sit down and DO something with the layout and body of work that is to become "Under Construction".  I have been staring at the possibility of the wall pieces; but was still feeling too scared to really have a go; so decided I would take the easier route for  me - I would start with the book.

I had chosen to work with BFK printmaking paper - a half sheet - and thought that will look good on the wall and will make an interesting book size as well.  I folded the pages and discovered that the layout needs to be different when you are working with individual pages; rather than simply the flat surface.

I bit the bullet, inked up the plates, registered them, put some paper down and printed.

To my great surprise they worked out pretty well - using about 4-5 plates on a single sheet is always a challenge re alignment and pressure etc - and then I had the fun part of adding other elements.

And the joy that process brought as I went from one element to a completely different, unheralded element to add in and so on - building and constructing this work in response to each layer placed previously.

I have written five short haiku-ish poems about nests as I hope to make five books and five wall-pieces (ambitious I know...). I enjoyed the gentle, whimsical and light script as I wrote with walnut ink.

What had started out as a promise of a test run had actually turned into an almost finished product.

The satisfaction was immense - these snippets show you some of its loveliness...








Thursday, May 21, 2015

Thursday Thoughts...

“When we engage in what we are naturally suited to do, our work takes on the quality of play and it is play that stimulates creativity.” 

Linda Naiman

I think I could be the number 1 card carrier for the need to have play time in the studio.  I started out thinking that if I wanted to take my art seriously, then I needed to get in there and do things seriously.  Sit down and write out perfect letters; make sure that every mark counted and went in the right place.

As I have gone along it has become abundantly clear to me that in fact, in order to get better at your art, you need to practise yes; but also to play.

The  amazing things that can appear from a session or two of 'what if?', and "I'd like to try that' can set you on a new course; add that extra element to work you already do or simply break through a time of feeling stymied, and offer you new ways forward.

By allowing yourself the freedom to simply explore, muck around, play and discover you can mostly leave behind the little critic who sits on your shoulder telling you that what you are doing isn't good enough. There's no role for the critic in play-time (except of course to tell you to stop wasting your time, which it sometimes does) and as a result, your creativity can just get on with it.

I don't think that play time is ever wasted; the opportunities it affords pop up in your work time and time again down the track.



These are the results of some play time a while ago. I was wondering if you could print on fabric; with fabric etc etc. and then, could you use scraps in small collages and....

I had a great time and the lessons from this play time are still appearing in work - today, there I was in the studio preparing to print onto fabric.

The gorgeous blues also indicate that it's that time again when we try to find the colours of the rainbow (Roy G Biv) and beyond.  Touch base with Jennifer and Julie to see who else has got the gorgeous blues this month

Tuesday, May 19, 2015

Of rust and gunk and other things...

Barry and I spent a few hours on the weekend etching aluminium. Testing this and that and getting ready for some big projects. One of the things about etching aluminium with copper sulphate solution is the remarkable accumulation of "gunk" (technical term) that appears on the surface of the plate as you etch.

It can induce fear into the hearts of those etching - what on earth have I done? Is that right? That looks pretty intense - should I take it out?

Despite knowing it's going to happen, it still amazes me each and every time.

Of course when there are two of you doing it, one can take photos! Thanks to Barry for capturing these fear-inducing moments.




After a second dip in the solution.


And after all that drama...


Whilst Barry was etching, I took photos of my rust pile as we were working on the bench next to the ladder that holds all my rusty bits.  I had been taking the beauty of the rusty bits a bit for granted, so it was nice to get up close and personal with them again and see just how gorgeous they really are. Only the iPhone with me as it was also the timer, but they still make me smile.







Sunday, May 17, 2015

Markers

It is Family Violence awareness month here in Australia and I am constantly devastated by the many women who are killed by partners or former partners.  And it's not just the deaths.  I think about all the women who survive, who escape and make new lives for themselves.  I think about the shelter we have provided at different times for women leaving abusive relationships where they were controlled and dominated and made to feel fearful in oh so many ways.


And so I make books.

I am making 52 small books to mark and acknowledge that each week in 2014 at least one woman was killed by a partner or former partner.  That number has almost doubled so far this year to two per week and my heart is filled by sadness and despair at the thought.

I am counting the women on the front cover - hand stitching the numbers from 1-52.  I acknowledge the work of Destroy The Joint and the UK based organisation Counting Dead Women in keeping track of these deaths and increasing our awareness.

I worked out that there are 1,399 upright strokes to be stitched, and then a further 100 or so horizontal stitches to be made. It is taking a long time and as I sit and stitch I send healing thoughts to their families and to those who are living in fear.



Inside the there are pages which are embossed, and further pages that are letterpress printed. One of these pages also contains a page where I have drawn and burnt a pattern (similar to the grid I was working on). Each pattern is unique and marks each woman as unique.  I have added the clock parts again, to recognise that it is time for change. Lots and lots of layers.







I'm nowhere near finished. I have stitched 30 covers - lots still to do, then pierce the pages and cover and hand-stitch the books. And house them.

This is slow work. Painstaking work. Each single book takes time, but 52 take a long long time. I don't want to have to do 104 books next year, but I fear I may.

Thursday, May 14, 2015

Thursday thoughts...

“A bookstore is somewhat like an ocean—it may look the same but it is always changing if you are a careful observer.” 

Paul Yamazaki

Today I write in praise of one of our local book shops.  Our small town has a large number of book sellers and for the past couple of years we have run a boutique festival called the Maleny Celebration of Books. We have moved it forward to winter this year - with the idea of cosy-ing up with a book  in Maleny.

We meet regularly at Rosetta Books - after hours Ann lets us all in and it's like being in a lolly shop. Fancy being locked in a book shop after it has closed! Oh my, the books and delights that surround us; it's amazing we ever get anything done!

Ann has a wonderful coffee shop inside as well, so we sit around the communal table and whilst we wait or there is a lull, eyes turn to the book shelves. And yes, the quote is so true; each and every time I sit at that table I look at the books and the titles and the covers and they are all different to when I last looked.

I love the turnover, the refreshing of books and somehow it always makes me realise anew just how many books there are in the world - so many people write books - people buy books, read books and gifts books. 'Tis a wonderful place to be.

Of course if "you just go in for a coffee" there is every chance you'll discover a book that you really really want or need and yep, it leaves with you.

So here's to book shops, to readers, to writers and to celebrating books.

Join us if you can on 3, 4, 5 July - so many great things to do and see; books to read and enjoy and discuss.


The gang of great women organisers of the CoB!

Tuesday, May 12, 2015

Black and white and white

I looked around the studio the other day and was taken with how much doodling was lurking about - lovely graphic black and white bibs and bobs. As well as some white on white - yum.

These strips of paper were trial prints - and I love that the gouache was still so wet and glossy.

I think the straight line would be perfect for writing letters on or above or below into those wilder spaces.


or maybe vertically alongside it...


More trial prints- this time I think with Habu thread wrapped around a piece of timber. Very random, and I think I would need to be a bit more focussed if I were to do it again with a piece in mind, making those white spaces sit beautifully.



Different Habu thread, different piece of timber.


Stamped letters - white on white (or more accurately I guess it's white IN white)



 And an embossed page. Mmmmm, this one I like very much...





Black and white can be so gorgeous - and white on white is always a winner with me. It's fun to look around and get inspired and wonder where to take these pieces next...