Back to jewellery - making!

 In preparation for the next Pop-Up Art Show back in Scotland later in the year, I have put my head down and been working hard to create some new pieces of jewellery. Some are variations on a theme so to speak; others are new designs and I am enjoying the challenges they all bring.

I did a lot of soldering of silver wire when we were at the cottage, and on return I have rolled it and buffed it.

Here I took five of the rolled pebble forms and set them together as a necklace. Rather than solder them together and make it a rigid piece, I thought I would try to link them together; and that would give a little bit more movement to the piece.

And then I connected it all together with a sterling silver chain. And was happy!

I had six small pebble forms ready to go, so I also rolled them. This time I did solder them together and they are such delicate little stacks of stones.

And here they are together. Quite a good result for a new design; and an older design modified to use very small forms!

Packed and ready for sale!

Small bits of satisfaction

 As we get ready to return to Maleny, we have managed a few more minutes here and there of making and creating.  One of the things I enjoy about being here in the cottage is that I face limitations. Plenty of them in terms of space, materials, equipment and time.

With making jewellery, I don't have access to a roller which is a key part of what I do. It takes the round wire pebble forms and flattens them. I can try to hammer them flat; but I find that without a large hammer and a large anvil it just doesn't seem to create the best effect.

So I decided I would do lots pf preparation, and take the pieces back to Maleny and use the roller there.  In between times after soldering the forms, I usually 'pickle' them to get the heat marks off them.

Again back in Maleny I have a small crock pot with a pickling solution and I pop the pieces in and leave them in for about five minutes then collect them all nice and clean.

I had imagined I would take the forms back and pickle them there; yet one night as I lay awake I thought about googling non toxic pickle mixes to make. And lo and behold I had all the ingredients I needed, here in the kitchen.

Vinegar and salt. I laughed as the salt is our fabulous salt from Blackthorn Salt - have a look at the magnificent way they make salt and the beautiful building they do it in here - and not just plain old table salt. But needs must. Luckily the vinegar was distilled cleaning vinegar!

Again, I don't have a crockpot for regular and slow warming, but we do have a microwave, so it was pour in the vinegar, stir in the salt and then heat it for 30 seconds. Then drop the pieces in a few at a time to see what might happen.

Yay! They came out shiny and clean!

Hopefully lots of new jewellery waiting to be.

And is so often the case, you do something, buy something and then see it everywhere. And so it was when we popped in to the Clachan Cafe through he week and went to look at Barry's sculpture in place and on display, and sitting quietly in a window was this great old typewriter!

And a final few photos of the weather, and the water, and the rocks, and the fishing net drying poles before we go...

Next steps for a book & pebbles!

 I am pushing a couple of things forward at the same time - the wee book for Narratives, and the second Book of Silences. Both are in fact pretty big projects; but the deadlines for both are only a few weeks away for me (given we have plans to return to Scotland. I say plans, because as we have all observed, the planet is a risky place right now).

So the stitching is happening on the pages of the Nest book. I am varying the placement and length of lines of stitching, but have decided on three lines of stitching for each. 

One thing I am missing from the larger public studio space is the light for photographing things. I used to put things on the concrete floor, in an area without direct light and the colours were always pretty true. I am yet to find my happy place for photographs here at home, but over time I hope I will. I think this last photo is the truest to the colour of the pages.

So that work continues, and I have also added some of my calligraphic pebbles to the shop. I was trying hard to work out a way for people to select their own word and I had a few tricks up my sleeve; but without adding 26 letters of the alphabet as items and have people choose 1 x P + 2 x E + 1 x A = 1 x C to create PEACE I couldn't make it work. I thought having 26 items on top of other things in there (like jewellery and book-ets) would just make it look way too messy and be a bit too fussy for folk. So I selected a few phrases and words and priced them; and offer folk the opportunity to email me with requests.

I did work out how to let folk choose if they wanted upper case or lower case so that felt like a win!

The pebbles are $2.00 each; and if any locals want to buy them, there is no postage.  Well depending on how I go manipulating the website, there might be postage, but it will be swiftly refunded!

So many things...

Re-imagining the shop

Once again, my art life is jumping this way and that at the moment. I am trying to stick with the book to be made for the Narratives exhibition; as well as get the second book of Silences printed; and do an unexpected calligraphic commission; and of course update the websites and shops, keeping them stocked and looking nice and friendly. And packing and posting as things get sold.

Oh, and designing and printing some new business cards! I have never had business cards that reflect my jewellery, so these ones now do this; and I have two more designs to consider and get printed then I should be able to include the right card with the right sort of item...

As ever, life is full and varied.

I did want to record and spend a bit time taking stock of the steps for the new shops in a way. The time we spent thinking through what we would and could keep doing after we left the big space was a fascinating time for me. It truly was a time of re-imagining. I had to re-imagine working in such a reduced space; I had to re-imagine what I might teach into the future; we  had to re-imagine how we would sell things if we couldn't display them in our physical shop; and we had to re-imagine what sort of work we continued to make.

It was a time of selection and farewell. Of commitment and release. Of reflecting on the past; but looking to the future. 

One of the jobs with the websites was deciding what categories I would use to put new items in (we deleted our entire inventory - gulp - and started from scratch). In thinking through 'how do the things I make group together', I went looking for through lines.

Previously my shop categories had been pretty descriptive - cards, artists books, posters and so on. Very descriptive of the item - the 'what it is'. What I felt was missing was the 'what it is about bit'. My sense is that people know me for my cards and my artists' books; a relatively frequent refrain when we had the shop space was " Are you the grief card lady???". And yes, indeed, I am. 

But they also know me for my women's work; and my grief work for example.

How best to reflect those sorts of things became a task I dipped into and out of. I would scratch down some thoughts and return to them. I would list things that might cover things;  and would then have to check if some items I wanted to keep making could still find a home. 

So this is where I landed (and may I say the logistics of getting that drop down menu to appear, and then get it in the right order was a Herculean effort for somebody who doesn't do website stuff for a living!).

I ended up with eight categories. Four of which are item categories; four of which are more thematic categories. 

Items: Artists' Books, Jewellery, Cards and Booklets

Thematic: Pebbles, Women, Grief and Pausing.

What I hope I have achieved (and the shops are still not fully stocked, because you know... life) is that when somebody clicks on Grief - they will find Grief cards and booklets (just not yet). If they click on pebbles, they will find jewellery an artists book and some calligraphic pebbles (again, not just yet). With Pausing they will find an artists' book and daily rainbow words... and I think this is where any peace work I do will land as well.

I think this offers options for folk; and also helps me see the interrelatedness of say my jewellery, and my grief is a stone book-ets. And also that I have enjoyed writing on pebbles for decades now... pebbles are a thing for me so I might as well own it!

To support these categories and the shops in general; we have re-imagined the entire shop and display into plastic tubs in a cupboard. What a hoot - so here is the behind the scenes look at our 'shop' these days!

Although I promise we are not selling the pandemic at all - that relates to work-work we did nearly two decades ago which proved rather prescient in 2020...

I expect that as my art continues and grows that I might re-assess these categories or groupings. New loves may appear and require their own name and place. It will evolve.

What started out as a task about "the categories for the shop" became a real investigation of myself as an artist; and a clarifying of what it is I do; what I love; and how I present myself. Fascinating.

2025, the year in review

 I usually use that never-never time between Christmas and New Year to ponder and reflect, to plan and to dream. This year it has not been like that, with all the heft and heaviness of shifting and moving, but I have grabbed some moments to ponder the year of making that was.

I felt like I was an artist almost each and every day last year; but interestingly I didn't make a huge amount of things. What I discovered as I wandered back through the year was that I had done some lovely things; one thing was very involved, intricate and time-consuming; I spent a lot of time in my head writing a conference paper and preparing courses; my making was varied across materials; and that a lot of my art time was thinking about how to move what to where, how to promote and sell art when we don't have a physical shop and generally re-imagining my world as a maker.

As ever, in alphabetical order only and with no ranking of favourites, here are the ten things I made this year that I like the most.

1. Book of Silences

I loved this whole process; the honour of working with the words of friends, and the testing and trialling that came with the challenge of a representing silence... In the end the wee book is a marvellous thing and I cherish it, and its making.

2. Building Narrative

This is a bit of a catch all for me as maker. I included Building Narrative because I enjoyed it and was proud of it. I presented a paper on Building Narrative in Artists' Books at the  BIND25 Conference in NZ; and I presented two one-day workshops on Building Narrative here in Maleny at the studio of my friend Kim Herringe. Both of these things took a lot of work,  a lot of care, a lot of thinking, and both are a creative product (in my mind). Not so much to show and physically hold in your hand - but I am comfortable saying I made them!

3. Silver pebble jewellery.

I continued to make and sell sterling silver pebble jewellery. I did some commissions, I went big, I tried new things. It is a lovely thing to wear jewellery that you have made I must say; and I also love seeing it on others as it shimmers and moves .

4. Nest.

I really enjoy working with Lindsey when we are in Scotland, and this time I asked her if I could try to make a nest. It was such a fun process and I really got into it. The result was a layered, sterling silver nest that could be sculptural, or a pendant. It has inspired me to try and make more.

5. Peace around the world.

We have been making and sharing peace weathergrams for International Day of Peace for many years now. Over a decade at least. This year was no different - the weathergrams are used cutlery holders that my dad and his folk collect for us; and we letterpress print a message of peace on them and make a hole and tie some string. But this year felt different. It felt like there was such a yearning for peace (and care, and kindness) across the globe. And this year, without prompting, folk sent me photos of their weathergrams flying boldy and bravely in oh so many marvellous places. It truly lifted my spirits and gave me hope.

6. Red Card.

I made my first book about Australian women being killed by their partners or former partners over 11 years ago. It is still a crisis in this county and so little has changed. This book is simple. It is loud. It is full of me being so sick and tired of all the talk and still women are murdered with monotonous regularity. I give a Red Card to governments, to the media and to men who kill the women they loved.

7. Resist.

Sometimes your work is significant. Sometimes it addresses national concerns. Sometimes it seeks to encourage gentle and peaceful ways of being. Sometimes it is small, heart felt and simple. Sometimes it is sent as a reminder that people care, and that we all need hope.

I hand stitched these fabric remnants with red french knots, depicting the word resist, and sent it to friends in the US. I used braille as the format language - because nothing is safe with communication and we sometimes need to talk in code. Small. Not much but something, and yet I loved doing them and they are among my favourites of the year.

8. Serviettes.

I did mention sometimes your work is small, but brings great joy, and so it was with these serviettes. The joy I feel is well out of proportion for what they are and what they do, but there you go. I loved exploring the wing needle and hem stitches on my machine and I love that I now have some lovely serviettes to use - and that they look gorgeous!

9. Simply Being.

This book was a long time in the realising. I have played with the words for years and years, finding them in my journal, re-working and re-writing them. Finding them again. And deciding on how to bring them into being - it seemed I had so many options.  And this I hope is the first of a few different ways of making this book. 

10. Square Alphabet.

Again, this isn't exactly a thing you can hold in your hands, but I did enjoy the making of this alphabet so much! It was a recollection of a calligraphic exercise from many moons ago, which clearly has strong connections to the Berber alphabet, and ends up being almost a code I can use to write with.

As ever, thanks for coming along on the wander and for being part of my year - I appreciate each and very person who reads and comments and shares their thoughts. This year's top ten had a lot of variety and I think that reflects that I didn't have a body of work I was pulling together, so instead I got to play in lots of different puddles.

Go well into 2026, and may we all find, and share: love and care; peace and generosity; and hope and kindness along the way.

Thank You, cards, fun fact and flowers

  With many many thanks to those folk who came along to our studio closing down sale on the weekend. Saturday was a huge and bustling day, and Sunday was slower but steady. A lot of work has now found new homes, and we have  a clearer path forward for the remaining work; and for the next steps in the process. It is a long road, but we are progressing! Our FINAL sale will be in mid-January and will involve art and craft supplies; the furniture and appliances in the studio; and possibly some work. Phew.

As we re-imagine our art lives without the large studio space, we are looking ahead to collecting and collating our best and favourite works and getting them online. 

With the hope that folk will but things from us in this way, we have been preparing our online purchases' gift wrapping and packing. Sounds funny, but each of us will use slightly different colours to wrap and send our work and I also want to include a hand-printed thank you card with each purchase.

So the other day I cut  a lot of paper (Gmund 300gsm - delicious and bright white), then mixed up some light grey ink and set some type and printed a handful for me.

I added some black to the mix and printed some for Barry - so that they appear dark grey. 

I sent him photos and he asked if I could add in some gold ink to the mix to bring bit of bling. Eek. 

I did not feel at all confident with this move, but I printed him a few - which he seemed to like, which was a relief.

Both the small and large cards have plenty of room to write a hand written note to accompany the purchase.

And in other news - I have been making more pebble jewellery which I had for sale at the studio sale this weekend, and this is the sort of work that will also find itself on line afterwards.

Here is one of the pendants, for illustrative purposes...

I have a fairly ad hoc relationship to my making of pebbles. Unlike my other more formal work where I plan incredibly; with the pebbles I tend to go - big, small, medium; hmmmm, I'll cut a piece of wire maybe this long.

Which works up to  point.

It doesn't work when somebody asks for a trio of pebbles of around a certain size. So I thought I'll work out how to measure the circumference of a pebble and then I'll have a formula.

Harder than I thought, so I messaged my two mathematician-type brothers and one of them came up with a link to this online calculator which works a treat.

He told me to go look at the formula behind it and said "Yep! You give a nice circle a little squish and the formula goes straight to hell...". Hard agree. This is the formula:

For reference purposes, the formula for a circle's circumference is this: C=2πr  😁

So using the online calculator widget,  I now have a table of sizes and lengths that I can use to form my pebbles to order so to speak; but am yet to test them out when I put them through the roller and stretch them bit more. This will tell me what the final size actually is; but I am getting there!

And as a form of palette cleanser after that disturbing formula calculation, and just because they were vibrant and beautiful - some nasturtiums

Bits of teaching, marketing and sharing

 Life as a creative, as an artist, is full of all sorts of weird things that are tangential to the making, yet make for a full and arty life.

I count amongst these the work I do researching, planning, thinking and prepping for teaching. Recently I wanted to update some thoughts about how to progress work when it feels stalled; or where you think you might have got the perfect solution really quickly. I came across some of my learnings from a workshop six years ago and refreshed them, added to them and printed them. 

 

And as I so often  do - I reckon I got the its v it's thing wrong again here! Why oh why doesn't it have an apostrophe for the ownership bit??? A do-over won't hurt. Sigh.

Fixed it!

And today I got to use the cards as I taught another workshop on Building Narrative in Artists' Books. It was such a joy and delight! It's a small group - only four folk - and we get to go deep, think hard, and explore a lot.

I get to teach in Kim Herringe's beautiful space The Studio here in Maleny, with so many lovely things around us how could we not be inspired?

One of the things I teach is about how to read an artists' book and we have some lovely, lovely examples to dive into.

A few weeks ago we did a short evening workshop with Kim on Marketing and Social Media for Creatives. It's never easy for me to do the marketing thing, but Kim offered sensible and clear ideas and information about how to go about it.  And I think I can do some of it!  It was so good in fact that I started my homework the very next morning!

And to share some small good news...the State Library of Queensland recently purchased my small Grief is  Stone book-ets. In fact they bought two of the editions so that one could go in the Education Kit to share with visitors, school children and the like. I am thrilled to know they have a public home; and will also get the chance to be shared and talked about more.

So I packed them up and posted them!

An artistic life is full of this and that, and oh what fun it can be.