Rosalie Gascoigne
The older I get, the further into this life of art and making I get, the more I know for sure how important thinking about the materials is.
Materiality matters.
That could absolutely be a tag line for me and my making.
Rosalie's re-use of discarded materials; of materials that have lived a life; that have come from a place; haven been handled or used by folk was such an integral part of her story-telling and the universality of her work.
For me, as I make and decide what to include, what to use and what to involve; my decisions always come back to what the materials are saying. What does it mean to use a thread dyed in particular place? What does it convey to use rough or sharp covers for a book? What story do the materials tell; what ideas do they express without words?
I love considering materials and how they are an important part of telling a story with my work. They add integrity.
Stitching together fragments of paper with rubbings from the cottage, and rubbings from near the front door in Maleny; exploring notions of home...
F - what a beautiful quote from RG - she led the way - "they have had sun and wind on them"; and I would say they still carry echos of that sun and wind and bring that to new works. B
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