We have been on the road for three weeks - and spent the last few days in Melbourne where we got to see this exhibition by Ron Mueck at the NGV. It was so worthwhile to experience art on this scale and of this nature. I was surprised by how accessible it was for just about anybody - they could easily relate and react to it.
His work is so lifelike and realistic in its execution; yet often so out of scale as to cause you to step back and reflect. He works with polyester resin, fibreglass, silicone, horse hair, cotton and so on to create these human forms. The obvious reflections are about how ageing can make people appear less important, obvious or active; and how after life has left a body it appears diminished and shrunken. The oversized baby and woman in bed create uncertainty as we observe intimate moments writ large; as does the naked man in the boat - so vulnerable as he tries to see what lies ahead.
Sunday, February 28, 2010
Monday, February 22, 2010
A Letter a Week (ALaW) 8
Well talk about H in a hurry. Life can be chaotic and somewhat out of control at times; so I just had to rush through this one. Initially I had wanted to do a transfer onto aluminium but my printer didn't give enough "charcoal" to transfer; so then I tried to just write on aluminium with what I thought was permanent ink - a day or two later it rubbed off nicely thank you. Then I thought about etching into some metal (but forgot to ask my friend for the acid supplier) so parked that idea for now; then I thought I might do some drypoint scratching into aluminium - but time was short and my patience low, so figured that this might not be the time.
So what did do? I used some sheet metal, 'painted' it with a nice grey oil pastel, put copper leaf over the top and used a bodkin type thing to work swiftly and pull away the copper - trying to keep the letter free without ripping off half the copper. Challenging but quick!
So what did do? I used some sheet metal, 'painted' it with a nice grey oil pastel, put copper leaf over the top and used a bodkin type thing to work swiftly and pull away the copper - trying to keep the letter free without ripping off half the copper. Challenging but quick!
Tuesday, February 16, 2010
A Letter a Week (ALaW) 7
Things are ticking along quite well and I continue to be inspired and challenged to go make some letters. This is quite different to my others. I wanted to work on fabric; and I chose this piece of rusted organza for starters. I rusted it early last year by wrapping it around rusted items, wrapping it up tight, submerging it in white vinegar and leaving in the sun for 2-3 weeks. Requires patience to avoid 'peeping'.
I then wrote a letter and traced it onto the fabric and stitched around the outside of the letter. I wanted to try using metallic thread as well - quite a challenge on fine delicate fabric, but fun. I first of all tried two out of the six strands and it went wild, so I reverted to one strand (which was actually two very fine ones wound together). It worked quite well but bounced around a fair bit.
I then covered a piece of mat board with calico and wound the remaining gold thread strands around that, then covered it over the top with the rusted fabric and embroidered letter. Phew!

I then wrote a letter and traced it onto the fabric and stitched around the outside of the letter. I wanted to try using metallic thread as well - quite a challenge on fine delicate fabric, but fun. I first of all tried two out of the six strands and it went wild, so I reverted to one strand (which was actually two very fine ones wound together). It worked quite well but bounced around a fair bit.
I then covered a piece of mat board with calico and wound the remaining gold thread strands around that, then covered it over the top with the rusted fabric and embroidered letter. Phew!

Saturday, February 13, 2010
Words for Peace 2010 - all done!!
It feels good to have completed these - this one took forever. I drew a rectangle and then worked with dividing lines and curves to organise the space. I was initially thinking of a stained glass effect and that these lines would be black, like on the windows.
I then wrote peace in big block capitals - nothing fancy at all - and started to colour in the spaces. I used 9 coloured pencils and it was an interesting challenge to keep the colour, size, location and shape balances right.
In the end I chose not to write the letters in black; nor to do the lines in black. I chose instead to leave the colour of the paper showing through and again remind myself that peace lies behind what we do; it emerges from chaos and is always there in our lives if we can look for it.
These four will be popped in the post along with Barry's great effort here.
I then wrote peace in big block capitals - nothing fancy at all - and started to colour in the spaces. I used 9 coloured pencils and it was an interesting challenge to keep the colour, size, location and shape balances right.
In the end I chose not to write the letters in black; nor to do the lines in black. I chose instead to leave the colour of the paper showing through and again remind myself that peace lies behind what we do; it emerges from chaos and is always there in our lives if we can look for it.
These four will be popped in the post along with Barry's great effort here.
Friday, February 12, 2010
A Letter a Week (ALaW) 6
This week is better paced and I seem to have time to get to my letters. Here is "F" from the experimental alphabet. This is the second attempt.
Firstly I tried to cut an F out of a white mesh/lace paper and glue it to black - it didn't work. I still wanted to experiment with the cut out letter thing, so I got some heavy blackish Thai paper and then thought - how would black cut out on black work? Thought again - probably not all that well.
I then decided to write a series of small Fs in copper metallic pen on the thin black paper and then cut out the Roman Capital F from the thick blackish paper. I think it ended up looking like leopard skin kind of!
Very happy to have attempted this - just another little experiment.
Firstly I tried to cut an F out of a white mesh/lace paper and glue it to black - it didn't work. I still wanted to experiment with the cut out letter thing, so I got some heavy blackish Thai paper and then thought - how would black cut out on black work? Thought again - probably not all that well.
I then decided to write a series of small Fs in copper metallic pen on the thin black paper and then cut out the Roman Capital F from the thick blackish paper. I think it ended up looking like leopard skin kind of!
Very happy to have attempted this - just another little experiment.
Tuesday, February 9, 2010
Words for Peace 2010 - one done!
It was raining on the mountain over the weekend so I got the chance to hit the studio and get stuck into these Words or Peace bits for Mike. In the end the piece of paper I used was perfect for three broadsides that have to be 20 inches x 5 inches.
This suited my layering of the text "Every step is Peace" and so I wrote over and over and then cut the paper into the right sizes.
I finished with a single red 'peace' on each. Once the other piece is finished, they will wing their way to America to join the show there. I think the plan is that four will be stitched together like a lantern (hopefully these three will be spread thru quite a few) and the lanterns hung from the ceiling in gorgeous display of colour and peace.
This suited my layering of the text "Every step is Peace" and so I wrote over and over and then cut the paper into the right sizes.
I finished with a single red 'peace' on each. Once the other piece is finished, they will wing their way to America to join the show there. I think the plan is that four will be stitched together like a lantern (hopefully these three will be spread thru quite a few) and the lanterns hung from the ceiling in gorgeous display of colour and peace.
Monday, February 8, 2010
Speaking of rainbows...
We are still in the midst of rain but the sun broke thru briefly yesterday and we managed to see a wee rainbow.
Apart from that Barry took this beautiful photo of a rainbow in my hand which really made me smile - the gift of rainbows.
Apart from that Barry took this beautiful photo of a rainbow in my hand which really made me smile - the gift of rainbows.
Saturday, February 6, 2010
A Letter a Week (ALaW) 5
I am just sneaking my letter in in time this week! In many ways it has been a fabulous week because so many people have been posting to A Letter a Week 2010 and showing what they have done with their first four letters. I have been very busy helping out - getting photos compressed, giving basic how-to-blog tips and posting on behalf of those who haven't yet mastered the 'art' of blogging. It has been busy but oh so satisfying.
Despite that and a trip to Canberra for work in between, here is my letter "E". I think I really have to stop doing letters that are hard to photograph! I wanted to experiment with aluminium 'shim' and first of all tried to cut the letter out and found it was very hard (or at least beyond me at that point) to attach to timber; so have left that experiment for another day. Instead I used a ball-point embossing tool to draw into the 'shim' and to decorate it. I then attached it to some mat board - just by folding it over. So again, I am pleased to have experimented with the materials.
Despite that and a trip to Canberra for work in between, here is my letter "E". I think I really have to stop doing letters that are hard to photograph! I wanted to experiment with aluminium 'shim' and first of all tried to cut the letter out and found it was very hard (or at least beyond me at that point) to attach to timber; so have left that experiment for another day. Instead I used a ball-point embossing tool to draw into the 'shim' and to decorate it. I then attached it to some mat board - just by folding it over. So again, I am pleased to have experimented with the materials.
Wednesday, February 3, 2010
Words for Peace 2010 - progress
After fiddling about I have decided on two pieces - one using coloured pencils on Canson and the other using my favourite quote "Peace is every step" written over and over in italics in ink on Somerset watercolour paper. They are both underway and here are some early glimpses.
What appears to be blank paper actually has the pencil marks on it for colouring in purposes (might be visible when enlarged by clicking) and the stained glass effect I am after is also emerging from the second shot.
What appears to be blank paper actually has the pencil marks on it for colouring in purposes (might be visible when enlarged by clicking) and the stained glass effect I am after is also emerging from the second shot.
Monday, February 1, 2010
Rainbow collection
Well the long, dry, hot spell has been well and truly broken. We had 150mm (6 inches) of rain yesterday and it keeps coming in torrents as we get the edge of former cyclone Olga.
The valley is filled with mist and wisps of cloud and when the sun shines again we might get rainbows. Here is one of my favourite rainbow elements- a stack of books. I hunt around secondhand shops and monster book sales not looking at the title or the author, just collecting the books with the coloured hard covers.

I have learnt that blue is common and orange and purple very hard to find. I keep adding to the stack and hope that in a year or so it will reach the ceiling. I'm in no hurry but I do love it.
The valley is filled with mist and wisps of cloud and when the sun shines again we might get rainbows. Here is one of my favourite rainbow elements- a stack of books. I hunt around secondhand shops and monster book sales not looking at the title or the author, just collecting the books with the coloured hard covers.

I have learnt that blue is common and orange and purple very hard to find. I keep adding to the stack and hope that in a year or so it will reach the ceiling. I'm in no hurry but I do love it.
Saturday, January 30, 2010
Tibetan manuscript
As a beautiful surprise last year, Barry bought this Tibetan manuscript book. As we understand it, it is probably 17th-18th century but beyond that we don't understand its context or importance.
In a roundabout, somewhat connected way, I have recently been investigating abstract calligraphic art - and am working through why it appeals to me so much and why I like it. One of the things I have realised is that I love to see calligraphy written in other languages. As I consider why, I think it is in part because my left brain disengages - I look at the texture of the text, the rhythm, the movement, the lines and the shapes, without having my left brain try to "read" the writing and interpret it. I look at the visual cues not the verbal ones.
This gives me a gentle sense of peace. And so when I see abstract calligraphic art written in English it does the same for me - I appreciate the beauty of the work before trying to interpret, read, or decipher the text.
These are a few of the pages of the Tibetan manuscript (click on the image for a larger shot).


In a roundabout, somewhat connected way, I have recently been investigating abstract calligraphic art - and am working through why it appeals to me so much and why I like it. One of the things I have realised is that I love to see calligraphy written in other languages. As I consider why, I think it is in part because my left brain disengages - I look at the texture of the text, the rhythm, the movement, the lines and the shapes, without having my left brain try to "read" the writing and interpret it. I look at the visual cues not the verbal ones.
This gives me a gentle sense of peace. And so when I see abstract calligraphic art written in English it does the same for me - I appreciate the beauty of the work before trying to interpret, read, or decipher the text.
These are a few of the pages of the Tibetan manuscript (click on the image for a larger shot).


Wednesday, January 27, 2010
Practising Peace
I read a post on cyberscribes recently that really inspired me to pickup coloured pencils again. Donna Livingstone did this beautiful, simple, elegant piece using coloured pencils and I was reminded of how much I enjoy these oft-neglected tools.
I had a window of about 20 minutes yesterday after cleaning the studio and before preparing dinner, arranging visits with my niece and her grandmother and heading out to a picnic, so I grabbed my pencils and a scrap of Canson Mi teintes and just wrote two practice "peaces".
I like the idea of peace coming out of the negative space - of kind of always being there but needing help to emerge or be seen. I just drew some weird letter shapes and waited to see what would emerge.
I then got colourful and free and felt wonderful as I played with the bright swirliness of this peace. I hope to do some proper pieces to send to Mike very soon.
I had a window of about 20 minutes yesterday after cleaning the studio and before preparing dinner, arranging visits with my niece and her grandmother and heading out to a picnic, so I grabbed my pencils and a scrap of Canson Mi teintes and just wrote two practice "peaces".
I like the idea of peace coming out of the negative space - of kind of always being there but needing help to emerge or be seen. I just drew some weird letter shapes and waited to see what would emerge.
I then got colourful and free and felt wonderful as I played with the bright swirliness of this peace. I hope to do some proper pieces to send to Mike very soon.
Sunday, January 24, 2010
A Letter a Week (ALaW) 4
Clearly I need this project. No other creativity has occurred through the week - unless you count reading some lovely books Noela loaned us; or receiving two new journals (Letter Arts Review and Bound and Lettered).
So despite feeling a bit wrecked/exhausted I headed down to the studio yesterday to tackle my "D". I have engraved into perspex before but haven't really used sandpaper to create an image; so I drew the letter onto contact, cut it out, and stuck it on the perspex. I then used a fine sand paper to sand the front of the piece - taking care not to lift the edges of the contact. I tried a few things to get closer to the edge of the contact in order to make the letter the same size as I cut, but regardless of what I tried, there was a fair bit of room between where the sanding finished and where the letter started.
I pondered if I should cut the letter out of the contact and sand the shape of the letter instead; or should I draw the letter backwards and stick it on the back so the top surface is smooth...all those design decisions. In the end I liked that it has the textured surface on top and that the letter is kind of the negative space.
Difficult++ to photograph!!!
To see what others are up to - got to the new blog A Letter A Week 2010 and enjoy the fun.
So despite feeling a bit wrecked/exhausted I headed down to the studio yesterday to tackle my "D". I have engraved into perspex before but haven't really used sandpaper to create an image; so I drew the letter onto contact, cut it out, and stuck it on the perspex. I then used a fine sand paper to sand the front of the piece - taking care not to lift the edges of the contact. I tried a few things to get closer to the edge of the contact in order to make the letter the same size as I cut, but regardless of what I tried, there was a fair bit of room between where the sanding finished and where the letter started.
I pondered if I should cut the letter out of the contact and sand the shape of the letter instead; or should I draw the letter backwards and stick it on the back so the top surface is smooth...all those design decisions. In the end I liked that it has the textured surface on top and that the letter is kind of the negative space.
Difficult++ to photograph!!!
To see what others are up to - got to the new blog A Letter A Week 2010 and enjoy the fun.
Sunday, January 17, 2010
A Letter a Week (ALaW) 3
I have been a bit off this week and not in the studio at all until today - so this little project is doing what I hoped it would - making me go down and DO something even when I'm not full of creativity.
Here is my experimental "C". It is a piece of rusted steel which I then used a dremel to engrave into the metal, revealing the shiny steel under the weathered rust.
I wrote the letter out first, traced it and then transferred it to the metal using some very cool hard soap pencils that a Japanese friend had sent to Barry. They draw on metal really well.
Despite some hassles compressing these photos for the web - here are some shots and some detail, with different light effects.
Here is my experimental "C". It is a piece of rusted steel which I then used a dremel to engrave into the metal, revealing the shiny steel under the weathered rust.
I wrote the letter out first, traced it and then transferred it to the metal using some very cool hard soap pencils that a Japanese friend had sent to Barry. They draw on metal really well.
Despite some hassles compressing these photos for the web - here are some shots and some detail, with different light effects.
Saturday, January 16, 2010
Words for Peace 2010
I have been doing some scheduling and planning and have set down some time to work on a couple of pieces for Mike's wonderful Words for Peace 2010 project. You can read all about it here. But to quote Mike:
Words For Peace. That’s the theme: PEACE - in all of its forms and manifestations. Peace on earth, Peace to mankind. Peace between peoples, between countries, races, and religions. Peace of the Spirit. Peace of God. Give Peace a Chance. Peace of Mind … take it where you will. So think Peace.
He is accepting pieces 5 inches x 20 inch between now and Easter - so think about joining this gathering of folk who care and want to make a small, beautiful, artistic, commitment to peace.
Words For Peace. That’s the theme: PEACE - in all of its forms and manifestations. Peace on earth, Peace to mankind. Peace between peoples, between countries, races, and religions. Peace of the Spirit. Peace of God. Give Peace a Chance. Peace of Mind … take it where you will. So think Peace.
He is accepting pieces 5 inches x 20 inch between now and Easter - so think about joining this gathering of folk who care and want to make a small, beautiful, artistic, commitment to peace.
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